A young American woman returns to her Greek roots in search of her real father. Accompanied by her stepfather, she shatters the very myths designed to protect her. She uncovers an unlikely relationship between those who raised her, a globe-trotting photojournalist and Athanasia. Athanasia, a girl with no right in life. A choice of nature, but not of her community. Angela finds her father and discovers her mother.

暂无剧情简介

暂无剧情简介

Roni and Bri have fallen in a forbidden love, where lies and secrets lead to the end of their relationship. Bri tries desperately to move on and forget her past love with Roni. But, she's in for an unexpected surprise when secrets are revealed and her life is now a twisted love triangle with her past.

Roni & Bri are both living their life as lie until it all comes tumbling down. Unfortunately it leads to someone having to lose their LIFE!!

Follows Catherine who goes to interview for a job, where he meets Paul, the CEO, who hires her right there. They start to fall in love and everything seemed perfect up until Paul's ex-wife's dead body is found in his mansion.

Follows Catherine who goes to interview for a job, where he meets Paul, the CEO, who hires her right there. They start to fall in love and everything seemed perfect up until Paul's ex-wife's dead body is found in his mansion.

Dead bodies are piling up, and the leads the two LA homicide cops have point to Barbara, business manager for a successful architectural firm she runs with her husband Lance. The dead men were interns at the firm, and each of them was Barbara's lover (kept in a classy flat she owns and observed via closed-circuit TV by the applauding Lance). Kyle is Barbara's latest intern and lover, and he may be in danger. He also starts to fall in love with Barbara, and the feeling may be mutual. In the background are Erin, Lance and Barbara's myopic administrative assistant, and Tony, Kyle's one-time roommate who also knows Barbara. Can the cops solve this before too many more die?

A young girl abducted by a serial sex criminal and is released unharmed, but decides not to inform the police. She must face the moral consequences when the assaults continue against other women.

For the third and final contribution to Contour Biennale 8, inhabitants has commissioned Adam Khalil and Zack Khalil in order to host an urgent reflection on indigenous sovereignty, the undead violence of museum archives, and post-mortem justice. 　　Filmmakers Adam and Zack Khalil, in collaboration with artist Jackson Polys, investigate the recent court case that decided the fate of the remains of a prehistoric Paleoamerican man found in Kennewick, Washington State in 1996. The case pitted the Umatilla people and other tribes, who wanted to provide a burial to the “Ancient One”, against two scientists—one of which from the publicly-funded Smithsonian Institute—who wanted to study the “Kennewick Man”. In order for the claim to fall under the Native American Graves Protection and Repatriation Act (NAGPRA) it became necessary to establish the lineage of these remains. This fight unleashed a controversy with groups attempting to establish white ancestry, and with this seeking to altogether undermine the indigenous sovereignty over land and ancestors and annul centuries of colonial violence. The evolving science of DNA and cranial morphology was grotesquely called in to testify to the purity of the bones’ ethnicity, where native claims to embodied knowledge of its origin had little means of addressing the court. Despite all of this, the Umatilla people and other tribes ultimately repatriated the “Ancient One” and he was reburied earlier this year in 2017. 　　Bios: 　　Adam Khalil and Zack Khalil (Ojibway) are filmmakers and artists from Sault Ste. Marie, Michigan and currently based in Brooklyn, New York. Their work subverts traditional forms of ethnography through humor, transgression, and innovative documentary practice. Their films and installations have been exhibited at the Museum of Modern Art, Walker Arts Center, e-flux, UnionDocs, and Microscope Gallery. 　　Jackson Polys is an artist who lives and works between what is currently called Alaska and New York. His work reflects examinations into the limits and viability of desires for indigenous growth. He began carving with his father, Tlingit artist Nathan Jackson, in high school, has worked as an artist based in Alaska as Stron Softi, with solo exhibitions at the Alaska State Museum and the Anchorage Museum, and holds an MFA in Visual Arts from Columbia University’s School of the Arts (2015).